![]() The CD you receive could be any of these editions or variations. CD VersionCD's are released in many editions and variations, such as standard edition, re-issue, demonstration demo, not for sale, promotional promo, special edition, limited edition, and many other editions and versions. The SleeveWhen we describe the sleeve we are describing the printed paper cover or booklet that is included inside the case. For example: some of our stock images include stickers, labels, price tags, hyper stickers, obi's, promotional messages, signatures and or writing which may not be available in the actual item. The purchase of this specific item is made with the understanding that the image shown in this listing is a stock image and not the actual item for sale. Sno-Cone 3:24 We Use Stock Images Because we have over 2 million items for sale we have to use stock images, this listing does not include the actual image of the item for sale. It has no creases, no folds, no seam splits, no cut-out holes, or other noticeable or similar defects, it will look almost new. It should play perfectly, The Sleeve Condition is Near Mint This sleeve has almost no defects, with only very slight signs of handling. It may have been played only a few times. Geils Band The Title is Covered By Geils The Catalog Number is 35472 Condition Used Other Comments The Media Condition is Near Mint This disk is nearly perfect. About this Item The item format is a CD The Artist Name is The J. Geils Band - Covered By Geils - Gebraucht CD - F5783A. Versand nach: GB und viele andere Länder,Īrtikelnummer: 325580894212 The J. But that aside, I take Ladies Invited as a healthy sign of continued growth from one of this country’s most entertaining and proficient rock bands.Verkäufer: ihaveit_music ✉️ (50.043) 99.6%, And some of the arrangements still make use of gratuitous breaks. I continue to find the group’s lyrics somewhat one-dimensional, projecting too limited a concept of sex. In fact, the only thing missing is a continuation of the groove opened up by “Give It to Me” on Bloodshot. Geils Band collaboration and it really works. “The Lady Makes Demands” sounds like a Major Lance-Curtis Mayfield-J. “That’s Why I’m Thinking of You,” their best ballad since “On Borrowed Time,” is one of their most personal recordings, and quite moving. “Did You No Wrong” is closest in drive and spirit to “Looking for a Love.” It’s my favorite and would make a good single. Less impressive for his leads than his ability to lead the group and build a sound (a la Felix Cavaliere), he always seems to be doing the right thing, in the right place, at the right time.īut if he now dominates the group’s musical personality, Wolf defines the band with his bizarre, cliche-ridden, but somehow still original lyrics, ingratiating, off-the-wall sense of humor (see the intro and close of “Diddlyboppin’”), and (most surprisingly) by the coming to life of new vocal range and depth, most in evidence on the one complete departure, the Dylanesque (in mood) “Chimes.” The latter is clearly in charge of most of the arrangements. But finally, the most important advances come from Wolf and Justman. Producer Bill Szymczyk has continued to develop as one of the masters of white rock sound, giving the record’s bottom exceptional depth and its top a fine, cutting edge. Geils has continued his subtle growth, both on straight leads (”Chimes”), slide (”No Doubt About It”) and in his re-creation of older styles (his Meters’ work on “I Can’t Go On” and “Diddlyboppin’”). Danny Klein has absorbed new styles, as witnessed by his work on “Did You No Wrong.” And J. Magic Dick’s harp actually sounds like a three-piece sax section on “Did You No Wrong.” Stephen Bladd’s drumming has become freer, more varied and more specifically related to the individual song. The musicianship is now as geared up as I ever expected it to be. So Ladies Invited’s superiority rests simply on the fact that it is a bolder step forward: 20% instead of ten. Still, each of them has been 10% better than its predecessor (except for The Morning After). ![]() The succeeding albums have been more consistent, better recorded, but limited in scope delivering more, but suggesting less. Those included the beginnings of the Peter Wolf-Seth Justman songwriting team, the potential progression from blues through R&B, through Sixties Stones’ rock, up to and including just a taste of a then-emerging personal style. Geils Band was in its distillation of years of live performing into a rough, recorded-in-three-days introductory statement that suggested so many directions for the future. Geils Band’s best album since their first.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |